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Recap Task: Braveheart
Laura Mulvey's 'male gaze' theory is definitely presented in Braveheart. This is mainly due to Catherine McCormack and Sophie Marceau's characters- Murron and Princess Isabelle- both of whom are playing the roles of William Wallace's (Mel Gibson) love interests. Both the actors used to portray his love interests are very beautiful women which I assume they did with reason as to make it understandable why William took to them but also to give male viewers what they 'want to see' as such. The scene that I think gives us the best insight to the beauty of these women is the scene where William steals Murron from her family for a day and they go riding his horse through the countryside. This scene, ( https://www.youtube.com/watch?v=uHjaVARneFA&t=86s ) is called 'Beautiful' (ironic I know). The scene is an extremely romantic scene with lots of close ups of Murron and William's faces which really makes you realise how beautiful they are and I think ...
"The ending of Slumdog Millionaire is powerful; for the narrative, the characters and the audience."
"The ending of Slumdog Millionaire is powerful; for the narrative, the characters and the audience." Personally, I do believe that the ending of Slumdog Millionaire is very powerful. I think it strikes something in the narrative, like how Jamal has gone through so much and so much has changed in his life, other than his love for Latika. I find the ending to be very emotive as we finally get to see the characters we've been invested in throughout the movie brought together at last, even if it's just for a short while as we can't tell what will happen next. This nicely brings me on to the enigma code theory. Enigma codes are almost what drive the narrative forward in a way. Enigma codes are used to make the audience wonder. They tend to trigger questions, many of which are answered by the end of the movie. Slumdog Millionaire triggered many questions for me as I found myself wondering who people were, what their intentions were, what they did, what they're doi...
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